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You are a very good teacher. I love this. Emmanuel, from Ghana.

uh clickbait

And the opening riff is essentially the Licc minus one note.

Way cool, very clear, colour our life ~ thanking you ever so much, Jeff! Delicious. 🙂

Thank you Jeff

The chart link now says "Page not found." What's up??

we love u jeff

Nice man Do I need to buy this or is it free for my like ?

I've learned so much form your videos, thanks for all the time and thought you put into them.

I learned that same alt voicing from a friend of mine years ago and my question is, when would you use other voicinga that use the other notes of the alt chord or are the other notes just implied?

Share the music sheet ?

Jeff! Would you feel comfortable sharing what software you're using to "write" on screen? Are you just writing on a normal piece of paper and "re-animating" it? Or is it something directly linked digitally? Thanks man, killer content my friend

Is there a chart or good respurse specifically for slash chords like Fmaj7/G

17:28 Why 'GAS'?

Dude drop the cap and glasses, we like u for the music

❤😮 man you're an excellent teacher and make it easy to understand

Hey Jeff - I was wondering what electric piano sound you use in this video (plugin?). Thanks for all of the great content 🎉

R&B is all about the DX7 not extended/ altered chords.

Being a bit cheesy every now and then is ok, Jeff, 😉especially when you keep providing us with all of that cool and juicy stuff. And, by the way, today's video was the funniest you've done so far with that slightly confused self talk ("What did I do in yesterday's video? What WAS it? Well, you gonna have to find out!" 😂) Thank you very much for all of your contributions.

Keeping it real = Good! 😊

Ok lets go USA Fresh young girl here soon...1 sold 23 okay . Sorry, carry on,

Legend 🔥

Hey Jeff, greetings. Stefan

Thank you for your videos. I can now sit at the keyboard and lose all track of time improvising.

saving everyone 16 minutes: iim11b5 - 1 b5 b7 9 11 V7#9b13 - b7 3 b13 1 #9 im11 - root position voicing thats the whole video

I think all of your vids are great, but these breakdowns are my favorite. I especially love how you got technical with the Em11b5. When I first started learning theory it used to confuse, and aggravate, me when I would watch someone play something different than what they wrote out. I wanted what o was playing to sound just like their version.

Demo at 15:06

Jeff props to you for doing your D'Angelo videos. There's a lot of great theory here.

It's not even free as you said

That is important for me to move more smooth as possible

6:32 this is just called an inverted pedal point

This could be another extra way to do it Cmaj7-Gm9 C7#9-Fmaj7 Em7 A7/C# - Dm9 G13sus4 Eadd9/G# - Am11

That F/G reminds me of a Daft Punk song that rode the sus sound really hard.

Another top video from the Man😎☮️

add a #9 to that C7!

"Humanly" is redundant - or at least until Tesla starts renting Optimus in 2025

Wow ! Everything seems so clear for me now ! There are so many possibilities ! With roots rising, descending, thirds on basses, inversions ! This video is amazing ! Really well explained. Thanx to you Jeff ! :>)))

First oh my god schizophrenia

YOU are AH-MAZING! So glad this popped up in my feed.

Excellent lesson. Subscribed and purchased the Chord Cookbook. It is EXACTLY what I've been looking for. Thank you so, so much! 🙏🏼

Question - when you sing numbers for the notes, do you share the same number for altered notes? So if I'm singing a #5, do I just say "5" ? Great video ... thanks!

But did you get to bang the dancers?

I don't get the logic behind the G13b9#11

For the first one, I don't think it's best to analyze the chords as such. It's very simple once you realize he's just sliding a triad down the fretboard (to use a guitar analogy) until it locks in on the F. Every teenage guitar player does this.

love this video! Especially the last Lof-Fi tape part ,Genius Jeff thanks for the knowledge

Greatest lessons, quick, deep, interesting. Thank You. What Rhodes Sound do you play in the viedeo? Michael.

Ain’t no sharp 5; it’s the flat 13 for heavens sake

Love this video! No BS, no fluff - straight to the point!

1:46 I need you to quantify how you can confidently say "the key is F Major". Considering none of the other chords are diatonic to that key, it just seems like a forced assertion. Just because some publisher's sheet music uses that key signature doesn't make it an objective truth. 4:47 I wouldn't necessarily equate "non-functioning secondary dominants" with "functioning secondary dominants". To me, it's just a VI7 (or VIalt) chord, no slash needed since it isn't resolving anywhere.

5:31 - Wise men sayyyy